Guidelines
Unless otherwise stated, Island welcomes submissions from Australia, New Zealand and Australians living abroad.
All submissions are via Submittable.
We do not accept work previously published in print or online, including on blogs.
We accept simultaneous submissions; however, if your work is selected for publication elsewhere, please withdraw it from Island Submittable.
Contributor Policy
You do not need to be an Island subscriber to submit or enter any of our prizes. However, we believe that writers ought to be readers of the literary magazines in which their work is published, so for this reason, if your work is published either in print or online, and you not already a subscriber, your total payment will be less the cost of a 4-issue subscription.
For a small not-for-profit literary magazine, this is a necessary step in a long-term strategy to build circulation. This, in turn, will allow us to increase the amount we can afford to pay our writers. For background information on our contributor fee policy, see here.
Payments
Contributor fees are currently:
Fiction and nonfiction for print - 40 cents per word, with a minimum of $600 and a maximum of $1500.
Poetry for print and Island Online - $175 per poem.
Island Online - $600 for short-form fiction, nonfiction and graphic narratives.
All fees are less the cost of a 4-issue subscription if you are not a current subscriber. For background information on this policy see here.
In additional to core funding from Arts Tasmania, 2025 contributor fees have been supplemented by the Australian Government through the Creative Australia its arts funding and advisory body and the Copyright Agency’s Cultural Fund.
We continually strive to increase author payment rates through grants and fundraising.
PROCESS
You will receive an automated acknowledgement of receipt of your submission.
All submissions will be read by at least one member of the editorial team.
Once decisions are made, you will be contacted (either via Submittable or direct email) regarding the outcome. Unfortunately, we do not have the resources to provide individualised feedback on submissions that are not selected.
The expectation is that the selected works will require little editing. However, any editing involved will be undertaken by Island’s editorial team, in discussion with the author. The author will have final approval of the work.
A licensing agreement will be sent to the author prior to publication (see T&Cs below for further details).
TERMS & CONDITIONS
A licencing agreement outlining the contributor fee and full terms and conditions will be sent to authors prior to publication. Please be aware of the following:
- Copyright remains with the author; but Island requires an exclusive licence for three months from publication. Following the exclusivity period, authors must continue to license the work to Island on a non-exclusive basis. Any further reproduction should publicly acknowledge Island as the original publisher.
- Authors must warrant that their work is an original work, that their work does not infringe any copyright and that they are the sole owner of the copyright in the work. They must also warrant that the work contains nothing obscene, indecent or libellous.
A draft of the full licencing agreement is available on request from admin@islandmag.com.
lsland is offering four mentorships for Tasmanian residents, led by winners of the 2025 Tasmanian Literary Awards: Kate Kruimink (Fiction), Maggie MacKellar (Nonfiction), Pam Schindler (Poetry), and Johanna Bell (Books for Young Readers and Children).
These mentorship are free to apply for and participate in. Successful mentees will receive ten hours of tailored guidance, advice, and support from some of Tasmania’s most accomplished writers.
This is a unique opportunity to gain insight, advice, and support from some of Tasmania’s most accomplished writers, tailored to your own creative goals and aspirations.
Eligibility
- You must be a Tasmanian resident.
- Current Island magazine staff, interns, and board members are not eligible.
How it works
- Submit a short pitch outlining what you hope to achieve through mentorship.
- You may apply for more than one mentorship.
Your pitch should include:
- The mentor and/or categories you are interested in, and what you hope to achieve.
- A brief summary of your relevant experience.
- A short sample of your creative work.
EOIs will be assessed by the mentor in consultation with Island’s Editorial Manager, Jane Rawson.
Timeline
- EOIs are open now and close at 5 PM AEST, Wednesday 5 November.
- We aim to complete mentor-mentee pairings by the end of November 2025, with mentorship taking place by early 2026.
Call for Pitches: Graphic Narratives for 2026
We continue our commitment to publishing graphic narratives, with Joshua Santospirito returning as our specialist editor.
We are now inviting pitches for 8-page works to be published throughout next year.
What to Include in Your Pitch
- A short proposal of around two paragraphs, outlining your concept, how you’d approach the art.
- Up to five image files may be attached. Acceptable file types: .pdf, .tif, .jpg, .doc.
- Please do not submit previously published or completed works, we are seeking new material only.
Contributor Fee
- $1600 for each selected 8-page work
Payment will be less the cost of a 4 issue Island subscription if you are not already a subscriber. For background on our contributor fee policy, see here
Fees are paid on completion of the work.
Timelines
- Submissions are open now and close at 5pm AEDT, Wednesday 5 November
- Selected works will appear across Island’s 2026 issues.
- Production timelines and technical specifications will be discussed with selected artists.
Process
- You will receive an automated acknowledgement of your submission.
- After that, you will generally not hear from Josh until after the submission period has closed.
- Finalising selections and notifications may take up to four months. We appreciate your patience as we carefully consider all submissions.
- Once decisions are made, you will be contacted (via Submittable or direct email) regarding the outcome. Unfortunately, we are unable to provide individual feedback on unsuccessful submissions.
- For selected works, curatorial discussions and a collaborative editing process will form part of the workflow. This ensures minimal corrections late in production. You will be consulted on all changes and retain final approval of your work.